The War Show
Tuesday, February 7, 2017
Program note from the 2016 Toronto International Film Festival catalog by Thom Powers:
A Syrian radio DJ documents the experiences of herself and her friends as their dreams of hope and liberation in the wake of the 2011 Arab Spring give way to the grim realities of repression, forced emigration and extremism.
Syrian radio host Obaidah Zytoon and her friends are caught up in the euphoria of the 2011 Arab Spring. Camera in hand, these artists and activists take to the streets to protest Syrian President Bashar al-Assad and record their experiences. They talk about art and relationships as much as politics. But as they film themselves over the next several years, their hopes for a better future are tested by violence, imprisonment, and death.
Zytoon and friends have worked with veteran Danish director Andreas Dalsgaard to shape, narrate, and edit years of footage into a deeply moving personal narrative. The War Show, subtitled “From Revolution to War in Seven Steps,” stands out from other films on Syria in many ways. Rather than dwelling on scenes of bloodshed, it focuses on what the revolution meant to everyday people. Most of Zytoon’s friends aren’t political firebrands. They share similar aspirations to young people all over the world: to loosen the strictures of religion and repression. In an early protest, Zytoon asks an adolescent girl why she isn’t wearing a headscarf. “I’m not demonstrating to be suffocated,” she says, “I’m demonstrating to breathe.”
But dreams of revolution turn into the reality of civil war. Zytoon takes road trips to the centre of rebellion in Homs, to her hometown Zabadani near Lebanon, and to the north of Syria where they meet struggling rebels and witness the rise of extremism.
Through first-person narration, the film enables us to feel connected to everyone Zytoon meets. After years of Syria making headlines, perhaps some audiences feel fatigue with the topic. But the poignancy of this film will awaken you.
- Rating NR
- Year 2016
- Running Time 100 minutes
- Director Andreas Dalsgaard, Obaidah Zytoon
IFC Center does not generally provide advisories about subject matter or potentially triggering content in films, as sensitivities vary from person to person. In addition to the synopses, trailers and other links on our website, further information about content and age-appropriateness for specific films can be found on Common Sense Media, IMDb and DoesTheDogDie.com as well as through general internet searches.